Introduction by Maia Baum and Amanda Castro Thijssen
Content
A Short History of a Queer Happy Ending: Sarah Winman’s Homage to E.M. Forster’s Maurice by Ris Schortinghuis
Time Heals all Wounds? Damon Galgut’s The Promise covers South African history from a new perspective by Acacia Caven
SEX AND PLAGIARISM: Kathy Acker Walks Into a Bar… by Elif Kayahan
Queering Conventional Rom–com Tropes in She Drives Me Crazy By Kelly Quindlen by Machteld Laan
I Had a Miscarriage: A Panorama of Perspectives by Angela Kroes
Great Circle Makes a Soaring Start but Runs Out of Fuel by Lisa Leenstra
Should Have Read the Fine Print: A review of Zakiya Dalila Harris’s debut novel The Other Black Girl by Sophie Bierhuizen
Some Unorthodox but Nevertheless Pertinent Advice on Why You Should Never Invite an Author to your House: Rachel Cusk’s Second Place Reviewed by Jake Regan
The Queer Line: Coming of Age on the Subway: A review of Casey McQuiston’s One Last Stop by Nina van der Linden
The Story of Britain’s Last Hanged Prisoner: The Fortune Men by Amanda Castro Thijssen
In Moonland: The Inevitable Influence of the Past by Sanne Tukker
Blue, I love you: Three Letters To the Colour Blue by Anna Sóley Ásmundsdóttir
The Rewards of Rereading: A Review of Anuk Arudpragasam’s A Passage North by Eva Soares
A Painfully Captivating Novel About Death, Grief, and Acceptance: Review of TJ Klune’s Under the Whispering Door by Judith Revenberg
Death Among the Tealeaves: TJ Klune’s Under the Whispering Door by Tara Huisman
In the Tradition of Perceiving Women: A Review of Virginia Feito’s Mrs. March by Juliette Huisman
Why Patricia Lockwood’s No One is Talking About This Is a Must Read by Paula Werdnik
About The Last House on Needless Street… At Least it Isn’t Cats (2019) by Chantal Groot
A Review of Michaela Coel’s Misfits: A Personal Manifesto by Kathelijne Schoonackers
Flowers for Robin: A Review of Richard Powers’ Bewilderment by Joppe Kips